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Soundscaping

A soundscape is a sound or combination of sounds that forms or arises from an immersive environment. The study of soundscape is the subject of acoustic ecology or soundscape ecology. The idea of soundscape refers to both the natural acoustic environment, consisting of natural sounds, including animal vocalizations, the collective habitat expression of which is now referred to as the biophony, and, for instance, the sounds of weather and other natural elements, now referred to as the geophony; and environmental sounds created by humans, the anthropophony through a sub-set called controlled sound, such as musical compositionsound design, and language, work, and sounds of mechanical origin resulting from use of industrial technology. Crucially, the term soundscape also includes the listener's perception of sounds heard as an environment: "how that environment is understood by those living within it"[4] and therefore mediates their relations. The disruption of these acoustic environments results in noise pollution.[5]

Why care? There are many reasons to record soundscapes:

  • Monitor changes over time, both during a day and over broader scales like seasons or years (e.g. to indentify impacts due to degraded or restored landscapes)

  • Monitor for diversity

  • Monitor for variability across different locations

  • Monitor for rare species

  • Studying animal behavior (with video and/or audio monitoring)

To learn more about soundscape monitoring watch the Ted Talk to the right, and then visit The Center for Global Soundscaping hosted by Purdue University. And to better understand the human impacts on soundscapes in the environment, read this Ted.com post. Also check out what is going on here in Montana at the Acoustic Atlas project.

 

Spectograms
Spectograms

 

A Spectogram is a way to visualize sounds of any kind - wind, people, birds, amphibians, thunder, rain, cars, etc. While intimidating at first, with a little experience a novice can start using spectograms of their own recordings or other's to see some of the details of what they are hearing in the field. A spectogram can tell you many things, but the primary ones are frequency (pitch), amplitude (loudness), and time resolution (the speed of changes in frequency or amplitude). Slowing down or speeding up a recording can also be used to visualize those changes over time and what an animal might be hearing that we are not. Below is a great introduction to understanding spectograms.

An Example Soundscape Recording
An Example Soundscape

 

In August of 2021 two of us set a mobile phone down in the northern range of Yellowstone Park and hit the record button. We then looked at the recordings of a full day in software that displays the audio as a spectogram. A spectogram is akin to written language. It is a way humans can transcribe audio content in to a visual display. Spectograms tell you the frequency (pitch) and amplitude (loudness) over time. The higher up on the graph, the higher the pitch. The brighter the orange, the higher the volume. By looking at the one hour spectograms below, you can get a quick snapshot of what is going on over time. And if you zoom out even further to a day, you get an even bigger picture. Week, month, year, decades...and you can see large scale changes over time. And, when you get good at it, you can identify different species just by looking at the "words" in the spectogram. And when you get really good at it, you can sometimes interpret what might be going on by looking at the sentences and discource in a series. One common thing you will notice when you compare daily spectograms side by side over, for example, a month, is that the dawn chorus shows a lot of activity at, of course, dawn. Insects then start to take over at mid-day, and then other animals might chip in at dawn or even throughout the day (e.g. cars). Below are three spectograms taken at morning, noon, and in the evening. The circles show what type of animal was making that type of sound displayed in the spectogram. We have also provide a zoomed in portion of each spectogram to show you what the sound of specific species looks like, and in the last case, what happens when birds perceive some type of threat. At the bottom is a full day spectogram (starting at 5:43am)...guess when the bison got busy! This daily view becomes really useful when compare various days to one another, the the amount of data gets large quickly (this one day is almost 4 gig of data at 16khz sample rate). A sampling of some of the species that are captured in this recording are listed at the bottom (including the position of time on the recording which runs from 5:43am to 8:43pm), which you can play and download via the SoundCloud link). As you can see, there are multiple vocalizations that are difficult to identify...help us out and figure them out. Lastly, we provided a 10 minute soundscape (click on the player above) for your sleeping pleasure...except for the bison who decides to close out the piece. Enjoy.

Soundscape of the Upper Yellowstone
00:00 / 12:53
2.png
Wolf
00:00 / 00:23
4.png
Insects
00:00 / 01:08
Evening
5.png
Screenshot 2021-10-08 152127.png
Bird Alarms
00:00 / 00:47
All Day
Screenshot 2021-10-07 155722.png

Raven

Great Horned Owl

Canada Geese

Warbler?

Clark's Nutcracker?

Robins

Warbler?

Brewer's Blackbird

Wolf

Mountain Bluebird

Northern Flicker

Magpie Alarms?

Unknown

Song Sparrow

Squirrel?

Wolf

Song Sparrow

Pine Siskin

Lincoln's Sparrow

Insect

Unknown

Brown-headed Cowbird

0:2:18 (hrs:mins:secs)

0:13:50 (minutes in)

0:26:00

0:33:11

0:30:30

0:31:35

0:32:46

0:53:50

0:54:00

1:35:00

1:52:00

2:05:40+

2:08:51

2:21:00

2:27:30

2:28:55

2:36:50

2:37:30

2:52:50

2:57:40

2:58:05

3:03:35

Drumming

Robin

Wolves

Ravens

Lots of Insects

Bald Eagle?

Unknown

Uknown

Goldfinch?

Sandhill Cranes

Clark's Nutcracker?

Red-tailed Hawk

Robin

Grasshopper

Red-tailed Hawk

Bison

Pine Siskin

Junco?

Starlings

Goldfinch

Mysterious

Multiple Insects

Townsends Solitaire?

Unknown

3:04:50

3:11:10

3:13:50

3:21:40

3:41:35

3:46:03

3:50:30

3:52:33

3:53:02

3:55:25

3:57:25

4:15:55

4:36:34

4:50:18

4:51:04

5:01:24

5:09:14

5:13:31

5:19:20

5:39:13

5:57:10

6:02:00

6:23:30

8:38:10

Wren?

White Crowned Sparrow

Robin with People

Antelope

Magpies

Wolf

Magpies

Sandhill Cranes

Robin, Bison, Magpies

Northern Flicker

Multiple Bird Alarms

Unknown

Unknown

Unknown

Robins

Very Mysterious

Insect

Wolf

Pine Siskin

Frog

Owl

Raven

8:44:30

10:23:50

10:25:24

12:46:10

13:31:00

13:36:40

13:38:40

13:40:30

13:44:00

13:47:30

14:10:05

14:12:40

14:15:10

14:17:55

14:29:00

14:35:00

14:39:46

14:41:50

14:43:56

15:04:58

15:11:22

15:11:40

Morning
1.png
Noon
3.png
Soundscape Ecology

Another interesting thing you can do with soundscape recordings is look at behavior over large timeframes. You can figure out the diversity of animals in a recording of a day, week, or month. Or you figure out when birds, for example, start and end vocalizing during a day. Below are seven spectograms display daily recordings from 6am til 9pm from Nov 1-7 2021 at one of our recorders - each day is stack one upon the other. Each hour is delineated by a vertical, dotted white line with the first line designating 7am. Days 4-6 are windy as designated by the blurry red blobs, but it is relatively easy to see that the local Chickadees start there vocalizations about the same time each morning.

Soundscape Ecology

November

7AM

7PM

1st

2nd

3rd

4th

5th

6th

7th

Nov1-7-web.png
Finding a Needle in a Haystack: Audio AI

 

Imagine having any entire month or year of recordings outside of your favorite cabin in the woods (about 300 gigabytes of data for a month). Then imagine you wanted to know when a particular species made a sound, such as a chickadee song, a wolf howling, or a cow giving a distress call, a raven meat call, or a poacher shooting a gun. With that data, you could look for patterns, such as how often, what times of day or month or year, different species (including us) are talking. And, let's make it even harder: what if you wanted to know which actual animal was doing that, in the same way when you pick up a phone you can quickly identify who the caller is.

Obviously, this doesn't happen much, because it would take a long time to go through all of the recordings: roughly two months if you decided to sleep. But, now, with various Artificial Intelligence (or Machine Learning) algorithms it is possible to shorten the amount of time it takes to days, and even hours. And, often, it is easy to miss a sound because of wind or car noise, for example. But, computer software can be much more precise in finding those sounds that your ear might miss. Below is an example of how we created AI classifiers to search through a month of recording to find wolf vocalizations and gunshots over a month of audio, in less than an hour.

And, what is even more powerful is a new trail camera developed by Grizzly Systems (see here) to listen for sounds in real-time and alert you when a user-defined event happens (like a gunshot). In the same way, Amazon Alexa can listen for "your" voice, this trail camera (or groups of them) can be programmed to listen for a rare species that researchers are studying for conservation purposes. This is especially useful for birds or animals that don't pass in front of a trail camera...in other words, this trail camera not only looks for specific objects, it listens for them as well, greatly expanding the range of a typical trail camera.​

Using Artificial Intellience

Using Artificial Intelligence Software to "Find" Wolf Vocalizations in Multi-Day Recordings

Example #1

This beautiful chorus of wolves stands out distinctly in the below spectogram. And, it is pretty easy to see. So, when playing through a full recording, it would be pretty easy for anyone to see and hear that wolves were recorded at that moment. Note how wolf vocalizations are typically in the 300 to 900 hertz range, but vary regularly. Listen to and look at the vocalization and then try to guess how many wolves are in this chorus. Check out Earth Species and their Github cocktail party project to make it easier to identify individual animals in a recording. A big "thank you" to Dave Roberts and host Ali Donargo from Wildlife Acoustics for hosting a two part webinar on Cluster and Classifier analysis of audio recordings.

Example 1: Wolf Chorus
00:00 / 02:44
Spectogram 2 830_74302.png

To put it in visual perspective, if you look at this one wolf chorus from the entire hour of recording, appears in the below circle. 

wolf howl.png

And if you looked at the same wolf chorus within the entire day's recording, it would like what is in the below circle...a needle in a haystack. Imagine trying to find these "signals" in a month's worth of recordings.

wolf howl 2.png
Example #2

This next spectogram is a lone wolf call in the early morning. As you can see, if you somewhat know what you're looking for (remember, wolves call in the 300-1000 hz range) then it is pretty easy to identify. It's in the bottom portion in the middle of the below graphic, represented by three lines: one that slopes down, a quick spike up, and then another descending line. Play the sound on the right to hear it.

Example 2: Wolf Howl
00:00 / 00:26

Howl >>>

Spectogram 3 zoom.png
Example #3

This next spectogram is from a lone wolf a day later a littler later in the morning, when bison and ravens and magpies were also vocalizing near the recorder. You can see the beginning of the "howl" marked below. Note the harmonic (two distinct lines), one at 400 hz and the other at 800 hz. Above the wolf howl are five sequential lines, representing a raven, and below are bright burry bands representing bison snorting. The computer software was able to find this vocalization regardless of the other sounds.

Example 3: Wolf Howl
00:00 / 00:09
Spectogram 4.png

Howl >>>

Below is a zoomed in view. Note the higher pitch than the previous day call, and the roughly 3 second first note followed by 2 second second note. 

Spectogram 4 zoom 2.png

In summary, artificial Intelligence software doesn't replace the need for human observation and intelligence. It's primary value is to replace repetitive and time-consuming tasks, so that we can more quickly look at the data of interest. It still takes a lot of wisdom and actual "feet in the field" observation of animal behavior to turn this data in to insights.

How to Create Your Own Recordings
Tools for Recording

 

There are basically two different things you need to get started soundscaping: a recording device and software to view the recordings as a spectogram. There are very expensive (and even free) approaches and more expensive (but not out of the average budget) approaches.​ Here are a few options.

Free Approach

Recording Device: Use your cell phone and download "Record the Earth" app for Android or iPhone

Spectogram Software: Cornell's Raven Lite 

Optional: Cornell's Merlin App for identifying bird species

$250+ Approach

Recording Devices:

Software: Wildlife Acoustic's Kaleidoscope Pro (or Raven Lite or Pro software listed above)

Optional: If you record video and audio Adobe's Audition software is superb for viewing a spectogram and video at the same time. If you are new to spectograms here is a good video to get you started (Google can point you to many more, as well as Cornell's Raven web site).

PXL_20211006_214610915.jpg

Embed Audio in to a Web Page

Once you have a recording, you can upload it to the Macaulay library of sounds via eBird and then embed the HTML iFrame in to your web site or email us birdsofyellowstone@gmail.com and we'll include it on our website. An example of the result is below.

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